Artist Research Critical Analysis Part 1
Salvador Dalí
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Born
on May 11, 1904
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Spanish Painter,
Sculptor, Filmmaker, Printmaker, and Performance Artist.
His movement in art is surrealism. His
artwork is very detailed which is why I enjoy it. The way he can include
multiple different images in one piece is incredible as it can show how
different people can see different images depending on whether they look at the
picture as a whole or just a smaller area of it. Generally, after a second or
two, the other image is easy to distinguish, like the piece “Adolescence”, made
in 1941.
In this artwork, there are two images that are
visible: a woman, a child and a range of hills in the background with some
houses built onto it, or a woman’s face, her nose, mouth and chin are made from
the shading on the first woman and two eyes are made from the houses on the
hill. Personally, I saw the larger image of the woman’s face first. This could
possibly show that I might be open-minded as I see things as one instead of two
(one woman’s face vs the woman and child, and the hills).
To create
this painting, Dalí used gouache paint and seemingly just painted with
precision and accuracy as there is no real technique visible. The painting
shows a young Dalí with his beloved nurse, Lucia. It is thought that the face
in the hills is actually representative of Gala, someone who Dalí was gradually
becoming infatuated with at the time.
Dalí loved
his nurse very much so there is a symbolic reason to use her figure as the
finishing elements of Gala’s facial structure.
The elements
in this painting are mainly tone, shape and pattern. I think tone is used most
effectively because it shows the shading of the mouth and nostrils, and without
it the larger face, of Gala, would not be easily noticeable. The patterns used
are also important to the painting because the creases in Dalí’s nurse’s dress
help to show the details of Gala’s lower lip.
I find inspiration from this piece as it shows that one picture can have two meanings. I really enjoy riddle type things, and so abstract art such as this intrigues me. I would want to include many meanings in my final piece and, as I like finding my own meanings, I would leave them unexplained to most so that they may interpret it as they please.
Christo Vladimirov Javacheff
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Born
on June 13, 1935
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Bulgarian
Sculptor
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Known
for Earth Art and Nouveau Réalisme
Christo
Vladimirov Javacheff inspires me because of his quote: “The work of art is a
scream of freedom”. I really like this quote because it is true in the fact
that most artists use their artwork as an escape from their problems or use it
to express them. In my case I would use my final piece as a ‘scream of
attention’ if you will. I’d like to bring people’s attention to the seriousness
but possibly also positives when suffering with mental health issues. I think
that artwork is most effective when it is beautiful yet educational and
meaningful. Not all art has to be educational however since meaning, in my
opinion, is the most important factor in a piece of artwork.
![Image result for wall of oil barrels](https://christojeanneclaude.net/__data/750de37445643a51747e1b616d9c1922.jpg)
One of his pieces was the 'Wall of Oil Barrels' or 'Rideau de Fer' (The Iron Curtain). He and Jeanne Claude created this in 1961 to 1962 as a barricade which blocked off a section of a city street.
In my opinion, it is very strange but yet creative. To me though, there doesn't seem to be a point behind it all, it is simply creating an inconvenience, however by creating this public inconvenience, the two gained a notoriety in Paris.
As they had built this wall without the permission of the authorities, they were ordered to dismantle it. Even though Jeanne Claude was able to convince them to let the build stand for a couple more hours, they did eventually take it all down. After the piece gained Christo and Jeanne a small audience, Christo decided that this would be one of the many pieces to come. He would later go on to create more 'nuisances' with various, interesting materials.
This inspires me as I think it'd be quite thrilling to build things without permission just for the sake of it, or just for attention. It would require being brave enough to take risks, which although I couldn't do, I think it'd be a great quality to have.
In my opinion, it is very strange but yet creative. To me though, there doesn't seem to be a point behind it all, it is simply creating an inconvenience, however by creating this public inconvenience, the two gained a notoriety in Paris.
As they had built this wall without the permission of the authorities, they were ordered to dismantle it. Even though Jeanne Claude was able to convince them to let the build stand for a couple more hours, they did eventually take it all down. After the piece gained Christo and Jeanne a small audience, Christo decided that this would be one of the many pieces to come. He would later go on to create more 'nuisances' with various, interesting materials.
This inspires me as I think it'd be quite thrilling to build things without permission just for the sake of it, or just for attention. It would require being brave enough to take risks, which although I couldn't do, I think it'd be a great quality to have.
1 Carl Andre
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Born
on September 16, 1935
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American
minimalist artist and murderer recognized for his ordered linear format and
grid format sculptures
I enjoy the
work of Carl Andre because he doesn’t model his materials, nor does he carve
anything, he uses the materials he has as raw as they come. This is a similar
type of genre to Realism because he is presenting the materials as they come,
he isn’t altering them to suit expectation (such as that it has to look
attractive or be colourful). However Carl Andre is mainly known for creating
Minimalism pieces. I am quite fond of minimalist art because it shows that not
all artwork has to be detailed, it is only really is important if it has a
point or meaning.
For example, Andre’s piece “Cedar Piece” (1959 (destroyed), remade
1964) was made just simply as a wooden structure at first but it also shows
that there didn’t need to be any bonding substances because each plank/block of
wood supports all the ones around it, therefore preventing the structure from
collapsing. This could possibly imply that doesn’t need to be made a permanent
structure because it’s strong enough to support itself. This could link with
mental health because it is important to know that it is possible to get past
the issues because everyone who loves you around you would be willing to
help/support you. Everyone has the ability to help themselves also however, because
only they use their own brain. It is possible to convince yourself that there’s
nothing wrong.
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