In-Lesson Still Life Drawings 2



Rope




Medium: Pencil
Element: Lines
Technique: Keep pencil on page, slightly shaking pencil
Time taken: 20 minutes



Pine cone




Medium: Chalk and charcoal
Element: Tone
Technique: Blending using cotton balls/buds
Time taken: 20 minutes


Corn




Medium: Green gel pen
Element: Pattern/shape
Technique: Repeatedly drawing same shape, drawing quickly
Time taken: 15 minutes

Comments

Post a Comment

Popular posts from this blog

Ian Murphy - Artist Research

Image
Ian Murphy a UK based Fine artist of 30 years, known for his passion for journeys to inspire his artworks and sketchbook drawings Born in Wigan, a town in Greater Manchester, England in 1963 Graduated from Sheffield (now Hallam) University in 1985 Does paintings, print making, drawing and sketch booking, his work mostly includes rough lines and layers Has artwork based on both the natural and the constructed elements of the environment These sketchbook drawings of Ian's are very intricate and I really like the use of the same techniques across all three of the drawings. The fact that he focused purposefully on sections of buildings that are broken and old created a big opportunity to add a lot of detail. I like how towards the edges of the sketches you can see the scribbles and scratches of the pen. It's gives the illusion that the sketch fades back into the paper. This print is very incredible because of how realistic it seems. The sm...
Read more

Russell Mills - Artist Research

Image
Russell Mills British artist who was born in Ripon, Yorkshire, UK in 1952. He has produced record covers and book covers for many musicians, like Peter Gabriel and Nine Inch Nails for example. In the 1980s, Mills began receiving tasks to design record album covers and related packaging. Stylistically, his work at this time became much more abstract, abandoning figurative representation in favour of symbolic implications. He regularly treated the canvas as a sculptural plane, with materials such as metals, powders, bones, feathers, beeswax, fabric, wires, animal skins and papers embedded in thick paints and pastes. Artwork at this time often left no empty spaces, all areas were filled.         This image seems to be a photo but of a rock which has been used as the canvas for an image of a shed type building. I think this is very clever because it is very unique. It appears that the image of the small building has been carved onto the side of...
Read more